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A trait shared by Impressionist and Post-Impressionist painters was the influence of Japanese pictorial aesthetics. From Monet to van Gogh, and including Henri de Toulouse-Lautrec (1864–1901), the influence of Ukiyo-e woodblock prints, their flat colors, oblique angles, and strong economy of lines, can be seen in much of the work created in 19th-century France. Lautrec often used oil paints thinned with turpentine for a look that further bridged the gap between Ukiyo-e prints—traditionally created with ink—and his raucous body of portraits and poster advertisements.
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