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The art of Joan Miró takes a reactionary stance. It foregrounds the aesthetic experience, lends emphasis to the irreal of our subconscious, and does battle with the representational art that the Barcelona-born artist saw as co-opted by the bourgeois class to reaffirm their social status, and thus the status quo. An early adopter of automatic painting, Miró later created a symbolic language, using shapes, lines, and color to depict his unique non-representational subjects.
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Museum-quality reproduction digital print of Ballerina II by Joan Miró, ca. 1925. Framed. Contemporary black Chelsea thin wood frame with double mat in bright white and smooth black. Mounting hardware included.