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Robert Rauschenberg began to investigate the boundaries between painting and sculpture in the 1950s, working with a variety of found objects in his Combine paintings and freestanding Combine series. Later, in his Cardboard series, he confined himself to the use of cardboard boxes, commenting in subtle ways on the materialism and disposability of modern life. This book is the first to focus exclusively on Rauschenberg’s rarely seen Cardboards, along with related works from his Made in Tampa Clay, Cardbirds, Egyptian, and Venetian series.
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Hardcover. 152 pages.
Yale University Press
W 10” H 11”
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