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Mark Rothko’s distinct form of Abstractionism is characterized by broad swaths of paint applied to enormous canvases. His monumental paintings have a way of engulfing their audience, and are presented with ambiguous titles to keep viewers free from influence. Rothko utilized a spare palette with the darkest shades placed at the top to symbolize the mental depression that plagued him, showing a masterful use of color that conveys an intimate, intense message without the crutch of concrete subject matter.
Reproduction print of No. 6, ca. 1951 by Mark Rothko. Unframed.
Multi, Red, Green
W 24” H 36”
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