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Mark Rothko introduced a new form of Abstractionism created to engulf viewers in his work, characterized by broad swaths of paint applied to enormous canvases. Presented with ambiguous titles to keep viewers free from influence, Rothko utilized a spare palette with the darkest shades generally placed at the top to symbolize the mental depression that plagued him, evincing a masterful use of color that conveys an intimate, intense message without the crutch of concrete subject matter.
Reproduction print of The Ochre, ca. 1954 by Mark Rothko. Unframed.
W 30” H 43”
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