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Created to engulf viewers in his work, Mark Rothko (1903–1970) introduced a new form of Abstractionism characterized by broad swaths of paint applied to enormous canvases. Presented with ambiguous titles to keep viewers free from influence, Rothko utilized a spare palette with the darkest shades generally placed at the top to symbolize the mental depression that plagued him, evincing a masterful use of color that conveys an intimate, intense message without the crutch of concrete subject matter.
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High-quality print on heavy paper. Laminated and framed in black ash. Ready to hang. Mounting hardware not included.
W 32” H 44”
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